Grab your copy of Ratchetdemic: Reimagining Academic Success by Dr. Christopher Emdin. Let’s get started for the month of October!
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Grab your copy of Cultivating Genius: An Equity Framework for Culturally and Historically Responsive Literacy by Gholdy Muhammad! Let’s get started for the month of September.
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Jason Reynolds in his keynote at the ALA Annual Convention this past summer talked about how we are all walking libraries. I loved this metaphor because it provided an image as to how each person is made up of a collection of their identities, experiences, and memories. We are all databases in motion. While many websites, blogs, and social media accounts are contributing to the call for the presence of more diverse texts, the work is still in progress. This comparison only clarified the position to mandate more diverse texts in classrooms and in the publishing industry overall because we have to honor the collective and individual experiences in our schools. Our main libraries, our classroom libraries, read aloud choices, and book talks all need to be purposeful and selective in voice, author, and representation. Because the goal, in the end, is to honor diverse voices as part of our daily and yearly norm.
When speaking about diverse texts, it is important to remember diverse to whom? The School Library Journal summarized the updates to the widely known infographic regarding diversity in children’s books. These infographics remind us that while progress has been made, there is still work to do in the field of education and in publishing. As teachers, we are reminded that diverse texts are a way to access comprehension and unlock engagement in our students because students see themselves in our curriculums. The concepts of windows, mirrors, and sliding glass doors are more than analogies; they are points of access to be humans with our students. Cornelius Minor in We Got This.: Equity, Access, and the Quest to Be Who Our Students Need Us to Be reminds teachers that the very act of using diverse texts is engaging to our students because we are including them in the content and the strategies in our rooms. He also reminds us that “teaching without this kind of engagement is not teaching at all. it is colonization (28). Zaretta Hammond in Culturally Responsive Teaching and The Brain: Promoting Authentic Engagement and Rigor Among Culturally and Linguistically Diverse Students also reminds us “Instead, I want you to think of culturally responsive teaching as a mindset, a way of thinking about and organizing instruction to allow for great flexibility in teaching” (5). The use of diverse texts in our schools is a mindset and necessity- not a strategy.
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For many years, I lived in the school of thought that my middle-school students wouldn’t want to read picture books. As with many things in teaching, we don’t know until we know. I love reading aloud to my students, and naturally, they love it because reading aloud goes back to a time when they loved reading as young children. As I could spend a lengthy bit of time here on this post about the apparent lack of love of reading that my sixth-graders come into my classroom with every fall, I will l quote Pernille Ripp from #NerdCampMI: “My goal is to make them dislike reading less.” Reading aloud to my students starts to work on this mission. The power of the read-aloud is equivalent to the power of the book talk. When kids hear stories and your recommendations for stories enough, they start to listen. Colby Sharp, a 5th-grade teacher in Parma, Mi, said this past week, “This year the picture book read aloud is as close to normal as anything we are doing in my classroom. The energy in the room is electric and I feed off it” (@colbysharp). This post contains 15 books that will spark electricity with words and stories.
If I were in my classroom’s physical space, I would plan to read one picture book aloud to my students each week. Now that I am virtual teaching, I plan at least 3-4 picture book read-alouds a week. One of my reflections from the 2018-2019 school year was that I loved how I felt solid with my growth in my independent reading program and my mentor text work, but I felt like I needed to be a driving force behind building empathy and compassion through both of these works. Empathy and reading were my two goals for 2019-2020, and they remain my two priorities in online learning. Reading aloud helps build not only a reading community but empathy and compassion in the form of community listening.
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In the midst of everything lately, I have become laser-focused on the concept of my own comfort zone. This is not just a boundary of physical space, but also a mental periphery of my privilege that extends beyond the tone and color of my skin, my socioeconomic status, my personal education, access to resources and networks, and my formative years of experience. As a teacher, I have been thinking about the status of things that I have grown comfortable with for a long while. Because in my classroom, I am all things comfortable. I own that space because I have made it mine. I have filled it with two cups of love, one cup of understanding, a heaping mound of constantly learning new strategies and resources, and a dash of a look across the room that can say “Please, don’t try that same stuff with me today.” My classroom is where I often feel the most like me.
However, I wonder if that comfort zone is just a thing in my mind I have created to develop a sense of mastery. I am reminded in this process that there is no mastery when it comes to being an ally to my students who are Black, indigenous and people of color. There is only fighting against the comfort zone. While there are many things I disagree with about the system of education and my role as an educator, I have spent 10 years teaching and not much has changed.
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In an effort to battle the idea of book deserts and making sure my classroom library includes all types of books, I have been excited to start graphic novel book clubs this year! This mini-project only takes one week of instruction per class that I teach, and it does not take up the entire day for instruction or work. When I wrote a grant in the fall for 100 graphic novels, the mission was simple: use more graphic novels as mentor texts and create small graphic novel book clubs to kids who can share the joy in talking about the same books that they are reading. We see kids naturally want to form book clubs because reading is social, and it makes it so the act of reading can also be less scary. If I am a struggling reader, I find it less intimidating if I have someone else reading with me. Reading is not meant to be an independent experience. Book clubs can be set up in a variety of ways considering materials, time, and accountability. This post outlines how I conducted my mini-project with my sixth-grade students and the considerations that were made for including graphic novels in choice reading time.
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Recently, I got the privilege of talking to a group of educators in Kalamazoo, MI about diverse texts in classroom libraries. The district had worked at providing small libraries of 25-50 books to elementary teachers, and the goal was to move this initiative to middle schools. I am always a fan of giving books to teachers; it possibly is the best resource we can give all of our classrooms. However, the training I was asked to give was intended to be more than what to do with these books, it was more so how to grow your own library and then show up for reading with your students. Books are simply materials or objects if we don’t show students how to use them. Thus, the term “show up” surfaced in a lot of my preparatory work for this training. Tricia Ebarvia in her blog post, “How do we show up?” cites a moment of epiphany when a fellow teacher stated: “Your racial consciousness determines how you show up” -Tony Hudson, an Equity Transformational Specialist from the Pacific Education Group (PEG). In addition to our racial consciousness and discussing the inclusion of voices, how does our consciousness as a reader determine how we present ourselves to students?
The training’s theme was really focusing on the idea of the teacher as a reader. Equipped with the mindset that the teachers in the room may or may not identify as readers themselves and they may or may not have a classroom library, I began to form my goals for the training based on what they do have: a starter set of books, experiences in the classroom that have shaped them as educators and people, and a passion for children and learning evident in their decision to be in the field of education. While naysayers might say that some teachers are not able or willing to change their mindsets, it is with a strong conviction that I know teachers can do better and be better for the students in their classroom that struggle with reading. We all want to help kids, we just need different avenues of the “how.” This post outlines the three objectives covered within training on diverse texts in classroom libraries. It is a calling to assess the materials in our own classrooms, build those materials to create diverse texts #bookflood, and reminders on how we “show up” for reading every single day.
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Zaretta Hammond's book Culturally Responsive Teaching & The Brain: Promoting Authentic Engagement and Rigor Among Culturally and Linguistically Diverse Students provides the link to understanding the importance of being culturally responsive and the science behind our students’ learning. In terms of the writing workshop or the general teaching of writing, culturally responsive teaching involves a shift in mindset regarding my instruction, but more specifically about students that I often will label as "struggling writers." It is not a coincidence in teaching that the term "culturally responsive teaching" often is parallel to conversations about students of color, English language learners, or students of lower socioeconomic status. My general education classroom looks entirely different from my advanced education classroom. Part of CRE Education is challenging the labels that are placed on our students. This post will outline some key points from Hammond’s book, and it will make some suggestions for the writing workshop within the English Language Arts Classroom.
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What a year this has been! 2019 is coming to a close tomorrow with New Year’s Eve, and I wanted to take a moment to say thank you for sharing this blog space with me throughout the past year. In January 2017, I started Writing Mindset as a way to reflect on teaching. Now, I focus on the ability to not only reflect on teaching, but to also constantly share ideas and learn from others. This blog has been and continues to become a passion project that is an outlet for my learning through teaching. It is also a space that is teaching me so many things. I am always in the role of a student when I am working on Writing Mindset. What I love most about education is trying new ideas and learning new strategies as ways to give and receive information. I am a Questioner, but more so, I am a person who loves to reflect on what went well and the things that did not go so well in my classroom and in life. 2019 was a rollercoaster of reflection. I was awarded the Michigan Council of Teachers of English Middle School Teacher of the Year, I pushed myself outside of my comfort zone by presenting at conferences, and with 48 total blog posts in 2019, I wrote more than any other year so far on the blog. I lend that to being wildly passionate about mentor texts, but I also feel like I am getting closer to why this blog exists in the first place. Writing Mindset is a way to use writing to access mindfulness, mindset, and overall wellness. I can see 2020 becoming a year when I focus more on the whole teacher. This includes the mental, physical, emotional, and intellectual health of anybody in education. Our wellness is an access point to more complex issues in education. As I said in the winter break post recently, our health is their health. Too many of us are unhappy, and too many of us are unhealthy. I can’t wait to explore some of the ways teachers can continue to be happier and healthier in 2020.
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Below is my acceptance speech from receiving the Michigan Council of Teachers of English Middle School Teacher of the Year Award at the fall annual conference in Lansing, MI. I so appreciate the support during the speech, and also the kind words that I received throughout the day at the conference. I would also like to thank Dr. Karen Vocke from Western Michigan University for my wonderful award introduction.
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This fall I am facilitating a training on using diverse texts across the curriculum to help teach comprehension and raise engagement. While preparing for my training, I spent some time looking into activities that use diverse texts regardless of the assigned content area. The text Strategies That Work, 3rd edition: Teaching Comprehension for Engagement, Understanding, and Building Knowledge, Grades K-8 by Stephanie Harvey and Anne Goudvis is a great place to start because we all teach comprehension (we want our students to understand what we are talking about) and we all want engagement (attention and participation in the lesson). This lesson sequence uses a reading strategy that involves making lists into short, informal articles (LIST+ARTICLE=LISTACLE). I personally LOVE listacles and use them in blogging all of the time. However, I have not had my students make these short articles as a way to assess their summarization and synthesis skills. The text set I chose to go along with this activity focuses on biographies and narrative nonfiction. I wanted to include this type of text set because biographies connect to ALL content areas, and students can easily search out aspects of a person’s life or accomplishments as they learn the task. I have been busy reflecting on the areas in my classroom and instruction that need attention in regards to diverse texts and representation, and I definitely have some areas that will get my attention first when I enter my classroom for the fall.
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This fall I am facilitating a training on using diverse texts across the curriculum to help teach comprehension and raise engagement. While preparing for my training, I spent some time looking into activities that use diverse texts regardless of the assigned content area. The text Strategies That Work, 3rd edition: Teaching Comprehension for Engagement, Understanding, and Building Knowledge, Grades K-8 by Stephanie Harvey and Anne Goudvis is a great place to start because we all teach comprehension (we want our students to understand what we are talking about) and we all want engagement (attention and participation in the lesson). This lesson sequence uses a current event topic and marries the idea of diverse texts to encourage questioning. Participants will also get a chance to label and categorize questions to lead to further discussion. While I chose a current event topic and this particular text set, this strategy could be applied to a variety of topics or content areas. As teachers, we want our students to question the world around them to become better citizens. The fall is approaching quickly, and I am busy reflecting on the areas in my classroom and instruction that need attention in regards to diverse texts and representation.
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…The same call for inclusivity in the beauty industry is also in the same call for the materials that we put in front of our students. This necessity drives the movements behind #WeNeedDiverseBooks and a call for diverse classroom libraries. We have to make materials available to our students.
I bring up this description of skin tone though as a conversation starter for how skin color is often depicted in works of fiction. If we focus on diverse literature, it is important to look at how characters are being represented on the page. How are our students able to describe themselves? What descriptions do they see while reading? What is included in our weekly read aloud? These questions impact the makers of stories in the publishing industry, and they impact the strategies we are using to teach our children. These questions are necessary to bring up and think about in terms of engaging with my young writers that need to have access to mirrors, windows, and sliding glass doors in our classroom.
This post outlines different strategies as they are observed in 16 different middle-grade and young adult works of fiction. I am using mentor texts here to show my young writers that the works of published authors are not only accessible but can be unlocked to show them how to write. This post will give a great starting point to the young writer that desires to describe their character AND also make connections to that character’s background, culture, or identity through the use of skin tone identification.
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This post is inspired by Donalyn Miller after her #NerdTalk at #NerdCampMi on July 8, 2019. She is a warrior and book whisperer for reading in the classroom, but more so, she is also a person who is not afraid to “make good trouble.” She started her #NerdTalk by voicing that she was the teacher who often raised questions to the administration at the end of the staff meeting. While many of her points on reading have helped form the construct of my teaching identity when it comes to reading, I have to be louder about another element that makes up who I am as a teacher. As an advocate for diverse literature in the classroom, it is my duty to be downright rowdy when it comes to putting materials and books in my classroom and in my district’s classrooms. #NerdCamp was a grouping of largely white women, like most of the demographic of the teaching profession, and Donalyn Miller spoke to white educators directly in the call for boisterous and clear advocacy of diverse texts in schools. We all have to be a deafening, strong force when it comes to diverse texts.
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Where have I been on the blog? Two words: RESEARCH PROJECTS. My Advanced English Sixth Grade group is currently finishing up our Activism Research Unit. We choose topics about problems we are passionate about in the world or want to know more about and we look at the influence of that problem on society. We also work some MLA formatting, in-text citations, and embedding quotations into the works. My General English Sixth Grade group is wrapping up our “change-makers” biographical report unit where they are studying a person of their choice that made a mark on history. Both preps involve students having an option to focus in on their own topic for the research project, and both preps are exploring the idea that people can change things in history and in life. They are learning about activism and how these larger social, political, cultural, and environmental issues influence their day-to-day and can seem daunting to enact any real change. In case you were interested in my Advanced English Packet: Click here for our class research packet. In case you were interested in our General 6 Biography Unit: Click here for our class packet.
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I recently realized with the two-year anniversary of my blog this past month, I have never really explained why I chose the name Writing Mindset for this small place in the world of the internet I call my own. Each piece of writing that we put out into the universe has two meanings: the meaning for the author and their intention and the meaning for the reader and their perception. This duality is a reason why I loved English class in high school and eventually became an English teacher. There is a beauty in trying to find a common understanding between people and their ideas. The words “writing” and “mindset” can immediately strike meaning to any person who reads them; however, both of these words hold a few different meanings for me. Together, they are the reason why I keep coming back week after week to continue my work on the blog.
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Give me a bookstore, a library, or a fellow reader’s bookshelf, and I will browse with wild glee. I love books. The sight of a bag full of books simple makes me happy. Reading has been something that has found its way back to me time and time again. Even when life seems too busy or too full of commitments. I always make my way back to reading. Using the 10 criteria that I outlined in a previous post about diverse texts, I wanted to write up a blog post about 30 book recommendations I would make right NOW to any middle school English Language Arts teacher to add these middle-grade fictional texts to their classroom library. I use
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Today's research quick post is about comics and graphic novels. I am a comic fan. Graphic novels, comic books, images and words put together on the page...you name it. I like it. Yesterday, I picked up Marvel's Black Panther for library day today. The appreciation I have for Coates' writing and the illustrations in this text are nothing short of a work of art. Amazed. However, the whole time I was reading today I had a bugging/nagging/tingling feeling in my mind about my struggling readers that may gravitate to this genre, but may not understand the words. Considering that the ever popular Diary of a Wimpy Kid Series by Jeff Kinney is a 950 Lexile (Above 6th grade level), many of my students are reading around the 3rd-4th grade level range. Yet, they are able to make sense of these images with the pictures. They beg for these books to the point where the small graphic novel section is always checked out. Why? And why is this section sometimes scary in education?
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