Nobody Hugs a Cactus is a humorous and heartfelt story about Hank, a cactus who prefers to be left alone—until loneliness begins to change his perspective. With expressive illustrations and minimal text, Goodrich captures the tension between independence and connection in a way that feels both playful and deeply relatable. Also, the grumpy cactus might be the cutest thing you have seen in a long while.

This story reminds us that sometimes what we think we want (space, quiet, distance) isn’t what we truly need. For writers, Nobody Hugs a Cactus becomes an entry point into exploring character, perspective, and internal change, showing how feelings shift over time and how those shifts shape our actions.

In this post, you can find…

• Tips for using this book as a mentor text for writing

• Ways to use the book with preschoolers, grades k-5, grades 6-8, grades 9-12, and for disciplinary literacy projects

• Journaling prompts linked to the book (including nature journaling)

• One grammar exercise to access grammar instruction

• and LOTS of pictures of cacti from right here in Arizona

Outside In, written by Deborah Underwood and illustrated by Cindy Derby, is a poetic meditation on the quiet, persistent ways the natural world moves through our lives—even when we think we are separated from it. I would argue this is the perfect mentor text for a teacher that feels they cannot get outside in nature or wants to do more outside work with kids, but perhaps cannot because of time, budget, or access to natural spaces.

Through rhythmic, lyrical language and richly textured illustrations, the book shows how “outside” is never truly outside. It seeps in through light, sound, memory, breath, and presence. The world is always reaching us, even in stillness.

For writers, Outside In becomes an invitation to explore observation, contrast, and connection—especially the invisible threads between environments, emotions, and experience.

In this post, you can find…

• Tips for using this book as a mentor text for writing

• Ways to use the book with preschoolers, grades k-5, grades 6-8, grades 9-12, and for disciplinary literacy projects

• Journaling prompts linked to the book (including nature journaling)

• One grammar exercise to access grammar instruction

The Tree in Me is a quiet, powerful exploration of growth, change, and the deep connections between humans and the natural world. Through lyrical language and expressive illustrations, Luyken invites readers to see themselves reflected in trees—rooted, reaching, bending, and growing.

I especially love the colors throughout this book. The pages evoke a pink sunset, with bright oranges and pinks that seem to jump off the page.

This book reminds us that growth is not always linear. Like trees, we stretch toward the light, weather storms, and change with the seasons. For writers, The Tree in Me becomes an entry point into reflective and metaphorical writing, where personal experience connects to the natural world.

While the book primarily focuses on the trees within us, these ideas can extend to other elements of nature as well. We might consider the storms within us, the flowers that grow inside us, or the gardens we cultivate with our thoughts. In this way, we are deeply connected to the natural world and to one another.

In this post, you can find…

• Tips for using this book as a mentor text for writing

• Ways to use the book with preschoolers, grades k-5, grades 6-8, grades 9-12, and for disciplinary literacy projects

• Journaling prompts linked to the book (including nature journaling)

• One grammar exercise to access grammar instruction

Remember, by Joy Harjo and illustrations by Michaela Goade, is an invitation to reflect on who we are, where we come from, and how we are connected to the world around us. Through Harjo’s poetic repetition and grounding language, readers are reminded that memory is not just something we recall—it is something we carry.

The text moves gently through reminders of connection: to the earth, to ancestors, to breath, to belonging.

This book encourages us to slow down, to listen inward, and to recognize that our stories are part of something larger. For writers, Remember becomes an entry point into reflective writing, where memory, identity, and observation can meet.

In this post, you can find…

• Tips for using this book as a mentor text for writing

• Ways to use the book with preschoolers, grades k-5, grades 6-8, grades 9-12, and for disciplinary literacy projects

• Journaling prompts linked to the book (including nature journaling)

• One grammar exercise to access grammar instruction

I start each day in a very similar way. After getting up and getting ready, I help our preschool-aged daughter prepare for school. As part of our daily hair routine, we always say our affirmations. These words set the tone for each day, and it is a non-negotiable part of our routine.

I want her to know what to say to herself when she doubts she can do something or feels unsure. I want her to be able to remind herself of how great she already is and how wonderful a person she is becoming.

Affirmations are more than flowery phrases—they are the inner dialogue we create for ourselves. Who I Am: Words I Tell Myself, by Susan Verde and illustrated by Peter H. Reynolds, is a powerful exploration of identity and the quiet language we carry within ourselves. Through simple, intentional phrases, the book reminds readers that the words we repeat internally shape how we see ourselves and who we are becoming.

Each line invites reflection:
I am strong.
I am creative.
I am enough.

This text is both grounding and expansive. It creates space for readers to notice their inner voice and begin to shape it with care. This book is not just something to read—it is something to return to. It becomes a mirror for identity and a starting point for daily reflection.

For writers, journalers, students, and caregivers, Who I Am offers an invitation to build a daily practice of affirmation writing—using a notebook or journal as a place to shape identity through language.

In this post, you can find…

• Tips for using this book as a mentor text for writing

• Ways to use the book with preschoolers, grades k-5, grades 6-8, grades 9-12, and for disciplinary literacy projects

• Journaling prompts linked to the book (including nature journaling)

• One grammar exercise to access grammar instruction

While We’re Here by Anne Wynter, with illustrations by Micha Archer, invites readers into a quiet, reflective space centered on a simple but powerful idea: we are here, together, in this moment. Through rhythmic language and layered, collage-style artwork, the book explores what it means to exist alongside others—humans, animals, and the natural world—right now. A striking message for anyone; however, anyone in a caretaker role will truly appreciate the images of slowing down and being with our kids in the everyday moments.

The text moves gently through shared experiences (and yes, disappointment), grounding readers in presence rather than urgency. It doesn’t rush toward a conclusion; instead, it lingers. It asks us to notice where we are, who we are with, and what it means to simply be.

For writers and journalers alike, While We’re Here becomes an invitation to pause, reflect, and write from the present moment—not as something fleeting, but as something worth holding onto.

In this post, you can find…

• Tips for using this book as a mentor text for writing

• Ways to use the book with preschoolers, grades k-5, grades 6-8, grades 9-12, and for disciplinary literacy projects

• Journaling prompts linked to the book (including nature journaling)

• One grammar exercise to access grammar instruction

Goldfinches by Mary Oliver, with beautful artwork by Melissa Sweet, is a celebration of attention, presence, and the quiet joy found in the natural world. Through Oliver’s poetic language and Sweet’s layered, textured illustrations, readers are invited to slow down and notice—truly notice—the brilliance of a small yellow bird moving through its environment.

This picture book, adapted from Oliver’s poem, reminds us that wonder is always available to us, especially when we pause long enough to see it. The goldfinch becomes more than a bird.Iit becomes a symbol of delight, curiosity, and the art of paying attention.

For writers and journalers, Goldfinches offers an invitation to observe closely, to write what we see, and to rediscover beauty in the ordinary.

In this post, you can find…

• Tips for using this book as a mentor text for writing

• Ways to use the book with preschoolers, grades k-5, grades 6-8, grades 9-12, and for disciplinary literacy projects

• Journaling prompts linked to the book (including nature journaling)

• One grammar exercise to access grammar instruction

• One grammar exercise to access grammar instruction

Nell Cross Beckerman’s Forests, illustrated by Kalen Chock, is a quietly powerful picture book that invites readers to slow down and look closely at the living systems all around them. Some of my favorite go-tos for mentor texts right now are nonfiction picture books that combine informational facts with storytelling in some kind of capacity. Told through a sequence of observational poems, the book explores forests across seasons, climates, and viewpoints—revealing them not as static backdrops, but as dynamic, breathing communities. Each spread highlights how forests are shaped by time, weather, animals, and human interaction, encouraging readers to consider how many stories exist within a single place.

Forests shifts perspective and place again and again. We move from underwater to an urban forest, from the woods to the jungle, from past to present. The result is a deep sense of interconnection: no organism exists alone, and no forest is ever just one thing. For writers, students, and journalers, Forests offers an invitation to observe, reflect, and write with curiosity about the systems we belong to.

In this post, you can find…

• Tips for using this book as a mentor text for writing

• Ways to use the book with preschoolers, grades k-5, grades 6-8, grades 9-12, and for disciplinary literacy projects

• Journaling prompts linked to the book (including nature journaling)

• One grammar exercise to access grammar instruction

Nikkolas Smith’s The History of We is a breathtaking picture book that explores humanity’s collective story from our earliest beginnings to the present moment and our shared responsibility to create a more compassionate world. Through his poetic text and powerful illustrations, Smith shows how we are all part of something bigger: a global community bound by love, struggle, and hope.

For writers, The History of We offers a reminder that personal stories connect to a much larger narrative. For journalers, it’s an invitation to reflect on identity, ancestry, and legacy—to ask: Where do I come from? What stories do I carry? What part of the “we” am I helping to write? It is also a picture book with a strong reminder about the danger of single stories. On how we can avoid making generalizations and assumptions in order to really take the time to get to know the multiple points of views that exist within a community, culture, and world around us.

In this post, you can find…

• Tips for using this book as a mentor text for writing

• Ways to use the book with preschoolers, grades k-5, grades 6-8, grades 9-12, and for disciplinary literacy projects

• Journaling prompts linked to the book (including nature journaling)

• One grammar exercise to access grammar instruction

Emmy Kastner’s So Tortoise Dug is a gentle, inspiring story about a tortoise who does what tortoises do best—dig! But as Tortoise digs, she discovers more than dirt and tunnels. She uncovers wonder, quiet courage, and the joy of moving at her own pace. Through Kastner’s warm language and playful illustrations, readers are invited to celebrate curiosity, self-trust, and the slow beauty of discovery. I also really love the nonfiction connections here as we encourage (as both teachers and parents) kids to be aware of the world around them. The book is based off of the real relationship of how two species coexist in the wild: the gopher tortoise and the Florida mouse. In the Author’s Note, Emmy goes on to explain that the book is a “pourquoi tale (“pourquoi” is the french word for “why”) This type of story is a fictional explanation of why something is the way that it is.” I love the idea of writers being able to explain real-world concepts through made up stories.

For writers and journalers alike, So Tortoise Dug reminds us that every creative journey takes time. It encourages us to keep going, keep digging, and find joy in uncovering what’s beneath the surface of our thoughts, stories, and dreams.

In this post, you can find…

• Tips for using this book as a mentor text for writing

• Ways to use the book with preschoolers, grades k-5, grades 6-8, grades 9-12, and for disciplinary literacy projects

• Journaling prompts linked to the book (including nature journaling)

• One grammar exercise to access grammar instruction

Mary Lyn Ray and Felicita Sala’s When You Find the Right Rock is a quiet celebration of attention and belonging—of the small, ordinary things that feel extraordinary when noticed with care. Through poetic language and luminous illustrations, Ray and Sala capture the simple act of finding a rock and transform it into something magical: a story about connection, grounding, and discovery. I think one of my favorite parts of this book when reading it to our little one was pausing on lines like,

“Still, there might be times when rocks don’t seem like much to look at. But then one will surprise you—like when you notice something special about you that surprises you. Just when you were maybe feeling sort of ordinary, there it is.”

For writers and journalers, this book is a meditation on presence. It reminds us that meaning often hides in small moments—holding a smooth rock, feeling its weight, noticing its color or warmth. When You Find the Right Rock invites us to pause, look closer, and find joy in what fits just right in our hands and hearts.

In this post, you can find…

• Tips for using this book as a mentor text for writing

• Ways to use the book with preschoolers, grades k-5, grades 6-8, grades 9-12, and for disciplinary literacy projects

• Journaling prompts linked to the book (including nature journaling)

• One grammar exercise to access grammar instruction

Joyce Sidman and Melissa Sweet’s Dear Acorn (Love, Oak) is a gentle and poetic exploration of connection, patience, and transformation. Told through a series of tender letters from an old oak tree to a newly fallen acorn, this picture book beautifully captures the rhythm of life cycles—growth, waiting, change, and renewal. Through Sidman’s lyrical language and Sweet’s rich mixed-media illustrations, readers are invited to consider how all things in nature are intertwined. On the blog, I have been a huge fan of the illustrations from Melissa Sweet. How to Write a Poem by Kwame Alexander and How to Read a Book by Kwame Alexander are two of the first picture books I recommend to teachers to lead conversations about reading and writing in their classrooms at any level.

For writers and journalers alike, Dear Acorn is an invitation to reflect on relationships, resilience, and the quiet passage of time. It reminds us that even the smallest beginnings hold the promise of something enduring and strong. In Dear Acorn the lost art of letter writing can help writers tap into new ideas and people working in a journal to access different parts of the world around them.

In this post, you can find…

• Tips for using this book as a mentor text for writing

• Ways to use the book with preschoolers, grades k-5, grades 6-8, grades 9-12, and for disciplinary literacy projects

• Journaling prompts linked to the book (including nature journaling)

• One grammar exercise to access grammar instruction

Julie Morstad’s picture book A Face is a Poem offers readers a playful and poetic way of seeing something familiar—our own faces. Instead of describing features literally, Morstad leans on metaphor: freckles as sprinkles, flowery faces, faces that you find in the clouds. Each page invites readers to view the ordinary as extraordinary. I actually paused in the bookstore when I saw the cover of this book because the colors and imagery were so beautiful.

For writers, this text is a gift. It reminds us that description doesn’t have to be technical—it can be imaginative, metaphorical, and deeply personal. For journalers, it opens the door to self-reflection and self-expression through the lens of poetry. This post serves as a how-to guide for using this text in multiple ways: in the classroom, at home, or within your own notebook.

In this post, you can find…

• Tips for using this book as a mentor text for writing

• Ways to use the book with preschoolers, grades k-5, grades 6-8, grades 9-12, and for disciplinary literacy projects

• Journaling prompts linked to the book (including nature journaling)

• One grammar exercise to access grammar instruction

Our daughter’s favorite part of a trip to Lowe’s is walking through the garden section to see the flowers and collecting a stack of “rainbows”—color paint sample cards. After one of these trips, I remembered that I had a writing prompt kit called Paint Chip Poetry. This little box includes a wide variety of colors, each paired with a word or phrase, along with prompts to spark ideas. There’s something magical about color—how a single shade can evoke a memory, tell a story, or capture the essence of a season. When we combine that sensory experience with the power of words, we open up an entirely new pathway to creativity.

One of my favorite tools for inspiring outdoor journaling is using paint chips taped into a notebook. Paint chip poetry and color-based activities offer an accessible, playful, and deeply reflective way to connect with nature, especially when paired with time spent outside. Whether you’re journaling in your backyard, at a park, or on a classroom nature walk, these activities add a vibrant lens to the experience.

This post outlines five color-inspired journaling activities to try with your students or in your own nature notebook. It also includes recommended picture books that serve as wonderful resources for kids of all ages, from upper elementary to high school.

Whether or not school was in session, I always found that the lessons embedded in Dr. Martin Luther King Jr.’s speeches were invaluable mentor texts for teaching writing and inspiring young people. My last year in the classroom, I was particularly moved by a tweet from Julia E. Torres, a librarian, educator, and activist, in which she shared a conversation she overheard:

“Just overheard a child in the hallway on the phone, ‘We are watching MLK videos again because you know they can neeeeever teach us anything new.’ This was a middle school student. Let’s think about that…”

That gave me pause. How often did I see my colleagues relying on MLK videos, or worse, skipping over this day entirely? How often had I felt like I couldn’t carve out the time to honor his legacy? I knew I needed to take the lesson of teaching dreams to a new level. I wanted my students to see Dr. Martin Luther King Jr. not just as a figure in history, but as an author to imitate and admire. His speeches made people listen to the issues that mattered. And no matter how pressured we feel to move through the curriculum, some lessons are simply more important.

On that day, it mattered. I reflected on how I could integrate Dr. King’s “I Have a Dream” speech into our mentor text work. The lesson wouldn’t take the entire hour, but my goal was clear: I wanted my students to notice the craft of his writing—specifically his use of repetition, metaphors, and the cadence of his voice—and then have them write about their own dreams in a similar way.

This post outlines the three-step process I used to teach his speech as a mentor text and offers further activities to extend the lesson.

Gustavo, the Shy Ghost by Flavia Z. Drago is a heartwarming story of bravery, friendship, and self-expression—making it a rich mentor text for writing exercises across various disciplines. With its themes of shyness, the supernatural, and the courage to be seen, Gustavo’s journey offers endless opportunities for deep reflection and creativity in classrooms. Let’s explore how you can use this story as a springboard for disciplinary writing in all subject areas!

At each step of the process in this post, I will stop and show you some things I consider when I plan for that part of the lesson. These considerations come from the questions and experiences from teaching the mentor text routine to sixth graders. I teach these lessons to students with third-grade level reading and eleventh-grade level reading in the same room. I have coached teachers that have ranged from 4th grade to 10th grade with this process. The results are the same, but you may have to adjust the strategies for your content and level.

These considerations are not meant to be overwhelming, but I want to share what has worked for me along the way. I have also broken them down in terms of estimated time. When I was doing mentor text work daily it took 5-10 minutes each day because of the routine that I chose to implement in my room. One single mentor text lesson taught alone might take 20-25 minutes.

This quickstart guide walks you through everything you need to get started with teaching mentor texts in your classroom right away. There are 7 key elements to teaching mentor texts. At the end of this post, download the free template to get started with a book of your choice! You will also have access to my mentor text work. This includes 180+ slides and sentence frames featuring 55+ books.

The I Am series by Susan Verde and Peter Reynolds is one of the most identifiable book series in classrooms and stores. The art by Peter Reynolds is so specific to him, and the books have almost become synonymous with social & emotional text lists, mindfulness, and meditation for young people. There are 7 books in the series. This post covers 4 of them and how to use them in your classroom for teaching mindfulness through read-aloud and also writer moves for kids through mentor texts. While the recommended reading age for the books often states 3-7, these mentor texts could be used in any level classroom.

Let’s dive into using the I Am series as a whole group mentor text, and then let’s take a quick look at how 4 of the books can be broken down further for writing moves.

What could be better than working with mentor texts AND talking about food? I love The Food Group series from Jory John and Pete Oswald. All of the picture books in this series feature a type of food and then a description that hints at the story behind the food. The whole series can be used in a variety of ways in any classroom grades 4-12. These books would also make great introductory activities and back-to-school mentor texts because kids love talking about food (I mean, most of us like talking about food). This post is a breakdown of how to apply The Food Group series to lessons as a whole, and then it includes details in a few of the books so you can see the mentor text examples. I will also remind everyone of the mentor text process of how to use books to teach writing to kids.

Hope you are hungry! Let’s write.

Narrative writing is always the first big unit taught in sixth-grade English, but I would also argue that narrative writing is the perfect way to open up a brand new school year because we are finding out about our students’ stories. I am also pretty sure that October may be one of the toughest months to teach in considering that it consists of conferences, the end of the first marking period for my middle school, the flu season that starts circulating, and it is my birthday month. The last part is not a bad thing, I just find it easier to resent less “me time” with all of the to-do lists piling up. This post contains step-by-step directions for teaching a personal narrative writing unit at the secondary level. This includes directions, elements of the assignment, teaching strategies, and mentor texts. I also wanted to include information about writing conferences and grading information.