Mary Lyn Ray and Felicita Sala’s When You Find the Right Rock is a quiet celebration of attention and belonging—of the small, ordinary things that feel extraordinary when noticed with care. Through poetic language and luminous illustrations, Ray and Sala capture the simple act of finding a rock and transform it into something magical: a story about connection, grounding, and discovery. I think one of my favorite parts of this book when reading it to our little one was pausing on lines like,

“Still, there might be times when rocks don’t seem like much to look at. But then one will surprise you—like when you notice something special about you that surprises you. Just when you were maybe feeling sort of ordinary, there it is.”

For writers and journalers, this book is a meditation on presence. It reminds us that meaning often hides in small moments—holding a smooth rock, feeling its weight, noticing its color or warmth. When You Find the Right Rock invites us to pause, look closer, and find joy in what fits just right in our hands and hearts.

In this post, you can find…

• Tips for using this book as a mentor text for writing

• Ways to use the book with preschoolers, grades k-5, grades 6-8, grades 9-12, and for disciplinary literacy projects

• Journaling prompts linked to the book (including nature journaling)

• One grammar exercise to access grammar instruction

Joyce Sidman and Melissa Sweet’s Dear Acorn (Love, Oak) is a gentle and poetic exploration of connection, patience, and transformation. Told through a series of tender letters from an old oak tree to a newly fallen acorn, this picture book beautifully captures the rhythm of life cycles—growth, waiting, change, and renewal. Through Sidman’s lyrical language and Sweet’s rich mixed-media illustrations, readers are invited to consider how all things in nature are intertwined. On the blog, I have been a huge fan of the illustrations from Melissa Sweet. How to Write a Poem by Kwame Alexander and How to Read a Book by Kwame Alexander are two of the first picture books I recommend to teachers to lead conversations about reading and writing in their classrooms at any level.

For writers and journalers alike, Dear Acorn is an invitation to reflect on relationships, resilience, and the quiet passage of time. It reminds us that even the smallest beginnings hold the promise of something enduring and strong. In Dear Acorn the lost art of letter writing can help writers tap into new ideas and people working in a journal to access different parts of the world around them.

In this post, you can find…

• Tips for using this book as a mentor text for writing

• Ways to use the book with preschoolers, grades k-5, grades 6-8, grades 9-12, and for disciplinary literacy projects

• Journaling prompts linked to the book (including nature journaling)

• One grammar exercise to access grammar instruction

Julie Morstad’s picture book A Face is a Poem offers readers a playful and poetic way of seeing something familiar—our own faces. Instead of describing features literally, Morstad leans on metaphor: freckles as sprinkles, flowery faces, faces that you find in the clouds. Each page invites readers to view the ordinary as extraordinary. I actually paused in the bookstore when I saw the cover of this book because the colors and imagery were so beautiful.

For writers, this text is a gift. It reminds us that description doesn’t have to be technical—it can be imaginative, metaphorical, and deeply personal. For journalers, it opens the door to self-reflection and self-expression through the lens of poetry. This post serves as a how-to guide for using this text in multiple ways: in the classroom, at home, or within your own notebook.

In this post, you can find…

• Tips for using this book as a mentor text for writing

• Ways to use the book with preschoolers, grades k-5, grades 6-8, grades 9-12, and for disciplinary literacy projects

• Journaling prompts linked to the book (including nature journaling)

• One grammar exercise to access grammar instruction

Our daughter’s favorite part of a trip to Lowe’s is walking through the garden section to see the flowers and collecting a stack of “rainbows”—color paint sample cards. After one of these trips, I remembered that I had a writing prompt kit called Paint Chip Poetry. This little box includes a wide variety of colors, each paired with a word or phrase, along with prompts to spark ideas. There’s something magical about color—how a single shade can evoke a memory, tell a story, or capture the essence of a season. When we combine that sensory experience with the power of words, we open up an entirely new pathway to creativity.

One of my favorite tools for inspiring outdoor journaling is using paint chips taped into a notebook. Paint chip poetry and color-based activities offer an accessible, playful, and deeply reflective way to connect with nature, especially when paired with time spent outside. Whether you’re journaling in your backyard, at a park, or on a classroom nature walk, these activities add a vibrant lens to the experience.

This post outlines five color-inspired journaling activities to try with your students or in your own nature notebook. It also includes recommended picture books that serve as wonderful resources for kids of all ages, from upper elementary to high school.

Whether or not school was in session, I always found that the lessons embedded in Dr. Martin Luther King Jr.’s speeches were invaluable mentor texts for teaching writing and inspiring young people. My last year in the classroom, I was particularly moved by a tweet from Julia E. Torres, a librarian, educator, and activist, in which she shared a conversation she overheard:

“Just overheard a child in the hallway on the phone, ‘We are watching MLK videos again because you know they can neeeeever teach us anything new.’ This was a middle school student. Let’s think about that…”

That gave me pause. How often did I see my colleagues relying on MLK videos, or worse, skipping over this day entirely? How often had I felt like I couldn’t carve out the time to honor his legacy? I knew I needed to take the lesson of teaching dreams to a new level. I wanted my students to see Dr. Martin Luther King Jr. not just as a figure in history, but as an author to imitate and admire. His speeches made people listen to the issues that mattered. And no matter how pressured we feel to move through the curriculum, some lessons are simply more important.

On that day, it mattered. I reflected on how I could integrate Dr. King’s “I Have a Dream” speech into our mentor text work. The lesson wouldn’t take the entire hour, but my goal was clear: I wanted my students to notice the craft of his writing—specifically his use of repetition, metaphors, and the cadence of his voice—and then have them write about their own dreams in a similar way.

This post outlines the three-step process I used to teach his speech as a mentor text and offers further activities to extend the lesson.

Gustavo, the Shy Ghost by Flavia Z. Drago is a heartwarming story of bravery, friendship, and self-expression—making it a rich mentor text for writing exercises across various disciplines. With its themes of shyness, the supernatural, and the courage to be seen, Gustavo’s journey offers endless opportunities for deep reflection and creativity in classrooms. Let’s explore how you can use this story as a springboard for disciplinary writing in all subject areas!

At each step of the process in this post, I will stop and show you some things I consider when I plan for that part of the lesson. These considerations come from the questions and experiences from teaching the mentor text routine to sixth graders. I teach these lessons to students with third-grade level reading and eleventh-grade level reading in the same room. I have coached teachers that have ranged from 4th grade to 10th grade with this process. The results are the same, but you may have to adjust the strategies for your content and level.

These considerations are not meant to be overwhelming, but I want to share what has worked for me along the way. I have also broken them down in terms of estimated time. When I was doing mentor text work daily it took 5-10 minutes each day because of the routine that I chose to implement in my room. One single mentor text lesson taught alone might take 20-25 minutes.

This quickstart guide walks you through everything you need to get started with teaching mentor texts in your classroom right away. There are 7 key elements to teaching mentor texts. At the end of this post, download the free template to get started with a book of your choice! You will also have access to my mentor text work. This includes 180+ slides and sentence frames featuring 55+ books.

The I Am series by Susan Verde and Peter Reynolds is one of the most identifiable book series in classrooms and stores. The art by Peter Reynolds is so specific to him, and the books have almost become synonymous with social & emotional text lists, mindfulness, and meditation for young people. There are 7 books in the series. This post covers 4 of them and how to use them in your classroom for teaching mindfulness through read-aloud and also writer moves for kids through mentor texts. While the recommended reading age for the books often states 3-7, these mentor texts could be used in any level classroom.

Let’s dive into using the I Am series as a whole group mentor text, and then let’s take a quick look at how 4 of the books can be broken down further for writing moves.

What could be better than working with mentor texts AND talking about food? I love The Food Group series from Jory John and Pete Oswald. All of the picture books in this series feature a type of food and then a description that hints at the story behind the food. The whole series can be used in a variety of ways in any classroom grades 4-12. These books would also make great introductory activities and back-to-school mentor texts because kids love talking about food (I mean, most of us like talking about food). This post is a breakdown of how to apply The Food Group series to lessons as a whole, and then it includes details in a few of the books so you can see the mentor text examples. I will also remind everyone of the mentor text process of how to use books to teach writing to kids.

Hope you are hungry! Let’s write.

Narrative writing is always the first big unit taught in sixth-grade English, but I would also argue that narrative writing is the perfect way to open up a brand new school year because we are finding out about our students’ stories. I am also pretty sure that October may be one of the toughest months to teach in considering that it consists of conferences, the end of the first marking period for my middle school, the flu season that starts circulating, and it is my birthday month. The last part is not a bad thing, I just find it easier to resent less “me time” with all of the to-do lists piling up. This post contains step-by-step directions for teaching a personal narrative writing unit at the secondary level. This includes directions, elements of the assignment, teaching strategies, and mentor texts. I also wanted to include information about writing conferences and grading information.

Reading and writing are all too often cyclical. Everyone knows good reading fuels good writing and vice versa. As a middle school teacher, I really wish that I was able to teach reading and writing separately or even give them their own block of time, but I do also love the impossible harmony that is being a reading AND writing teacher. This post will explain how I start my week with students, and how I often will start each class. I always start each hour the first day of the week with a book talk about a middle grade or young adult novel or nonfiction book. It kicks off my mentor text work with kids, and it gets them excited about a book they may or may not have heard about before. This post goes into detail to explain why the simple act of talking about books in a way that makes kids want to read them is one of the most important things we can do as teachers each day.

I always end the first six weeks of school with narrative poetry. 1.) It is a mindset thing. I want to show the kids who don’t think they can write poetry that they indeed can write poetry. 2.) It is an excellent way to get to know students better. We may think we know each other after six weeks, but in reality, we have spent a lot of that time on testing and expectations. it is powerful to know our students and let our students know who we are as people. Cue Where I’m From Poems and I Am Poems. I use this form of poetry from George Ella Lyon each year to help build community and access important identity work. This post includes all of the assignment materials and my step-by-step process including mentor texts and a read-aloud.

Arthur O’Shaughnessy in his 1874 poem “Ode” wrote: “Yet we are the movers and shakers/Of the world forever, it seems.” I love the term “mover and shaker” because it reminds me of dancing, but what it really lends is to people who make an impact on the world. It is no secret that one of my favorite units to teach is research. I love the choice, the process, and the hard work it takes to produce the product. I also love seeing middle schoolers wrap their brains around the formatting of this project (MLA), and how they get excited about solving problems. One of my favorite things, after all, is to solve problems.

The MLA Research Paper unit I do each winter going into spring focuses on activism. Students identify a problem in their school, community, or world and then research that problem, Inevitably, they see causes, effects, and hypothesize solutions as well. This post will walk you through some mentor texts and resources, strategies, and pacing of the overall unit.

Similes and metaphors might be my favorite figurative language skills to teach because once students notice what they are, they find them everywhere in fiction literature. Similes make everything better. At first glance, students keep reading over them, but the understanding of similes and metaphors unlocks another layer of reading. It is a layer that is deeper and makes readers really think. Figurative language skills matter because they help build critical readers. When building sentence fluency, these skills create stronger readers that add sentence variety and fluency to their writing skills. While you can catch similes in almost any work of fiction these days, I like the books featured in this post for the deliberate instruction of simile usage in literature. This post will outline three books and examples of similes, and it will also show you how I help young writers transfer these skills to their own writing through the mentor text process.

Easy as pie.

The idea of constantly evolving and changing how we shape lessons is one of the many reasons I am still a teacher. I have changed how I teach argumentative writing from shorter on-demand projects to longer multi-genre projects. We have done paragraphs. We have done essays. Normally for this particular project, I connect the topic choices to the novel we just got done reading. However, I always have to remind myself to be inclusive and responsive to the class that I am teaching. Here is the bottom line: My class just wasn’t into Roll of Thunder, Hear My Cry by Mildred Taylor. After trying to get a grasp on history, having great class discussions, and talking about plot elements in the text, my class was simply ready to move on. This feeling of wanting to press on along with the feelings of wanting to do more cycles of argumentative writing gave way to the approach I took for this project. I have combined many aspects of how I teach argumentative writing over the years. You will see essay packets, example essays and mentor texts, and the various ways I try to grade throughout the process to make sure I stay above the paper line. However, this post will also outline the intention of showing our students that learning this process can be ultimately tied to the debate process, and the issues we are talking about genuinely have an impact on our lives now. With a class that seemed a little out of touch, nothing can be a better tool to put them back in touch than an argumentative essay.

When that beautiful time of year rolls around to teach the argumentative essay to your middle school students, you might find yourself crinkling your nose and thinking, “Oh boy, let’s just get through this.” 

I don’t blame you! 

Teaching the argumentative essay is no easy feat. You aren’t just teaching students the flow and structure of writing, but you are also teaching them how to research, evaluate evidence, make a claim, argue, convince, and write in a formal style. Many of these skills might be new to your students, so it is important to go slow, keep it simple, and make it very clear. 

Today we are going to be looking at 5 tips and tricks to help you teach the argumentative essay to your students in a fun, clear, and simple way!

1. Mentor Texts are Golden

2. Structure is Everything

3. Research is Key 

4. The Little Details Matter

5. Checklists are a Must

For the week back from winter break, I love doing figurative language review, especially with onomatopoeias! If you have been following the mentor text routine on the blog, I always start with a book talk. For onomatopoeias, I love The Wild Robot by Peter Brown because there are so many great examples, and the mentor text example sentences involve the island animals as well. Kids love sounds. Kids love animals. Not only does this lesson provide an easy frame for students to follow, the book naturally pulls kids in with interest and content. This post outlines a quick lesson you can do with your students to use mentor texts and have some fun teaching onomatopoeias.

What a year this has been! 2019 is coming to a close tomorrow with New Year’s Eve, and I wanted to take a moment to say thank you for sharing this blog space with me throughout the past year. In January 2017, I started Writing Mindset as a way to reflect on teaching. Now, I focus on the ability to not only reflect on teaching, but to also constantly share ideas and learn from others. This blog has been and continues to become a passion project that is an outlet for my learning through teaching. It is also a space that is teaching me so many things. I am always in the role of a student when I am working on Writing Mindset. What I love most about education is trying new ideas and learning new strategies as ways to give and receive information. I am a Questioner, but more so, I am a person who loves to reflect on what went well and the things that did not go so well in my classroom and in life. 2019 was a rollercoaster of reflection. I was awarded the Michigan Council of Teachers of English Middle School Teacher of the Year, I pushed myself outside of my comfort zone by presenting at conferences, and with 48 total blog posts in 2019, I wrote more than any other year so far on the blog. I lend that to being wildly passionate about mentor texts, but I also feel like I am getting closer to why this blog exists in the first place. Writing Mindset is a way to use writing to access mindfulness, mindset, and overall wellness. I can see 2020 becoming a year when I focus more on the whole teacher. This includes the mental, physical, emotional, and intellectual health of anybody in education. Our wellness is an access point to more complex issues in education. As I said in the winter break post recently, our health is their health. Too many of us are unhappy, and too many of us are unhealthy. I can’t wait to explore some of the ways teachers can continue to be happier and healthier in 2020.

Compound sentences are all about bringing ideas together or showing how those ideas relate to one another. There is a real opportunity when we start talking about combining sentences together to help build the classroom community and share how our writing looks in different situations. The very nature of conjunctions suggests jointness. It is during these mentor text lessons where I will increase the level of movement and partner work to show how we can generate ideas together. When completing the mentor text routine, I look at how I can book talk mentor text books so students want to read them, and I use the whole class novels that we study during this marking period to show example sentences. Last year, I covered the conjunctions “and” and “but.” This year, I am also adding the conjunction “so” to tie in some cause and effect lessons. This post will outline the mentor text slides and activities used for each sequence of lessons for compound sentences with the conjunctions “and,” “but,” and “so.”

Highlights of each conjunction:

• But-This conjunction is fun to say to middle schoolers over and over, and it shows opposites.

• And-This conjunction connects ideas and shows addition.

• So-This conjunction shows cause and effect, and the ideas here can transfer over to other cause and effect work in class.

These two weeks focus on adding adjectives and snapshots in narrative writing using the mentor texts Out of My Mind by Sharon Draper and A Wrinkle in Time by Madeleine L'Engle. Both of these lessons build on each other as I first teach using adjectives in writing, and then we get some experience making snapshots in regards to characters and setting. A snapshot is a moment in writing that provides detail in terms of character or setting. The text The Reviser’s Toolbox by Barry Lane was the first text that introduced the idea of snapshots to me, and this text remains the go-to standard for items to teach in terms of narrative, personal narrative, and memoir writing. Students often receive practice in regards to describing themselves or character, but sometimes struggle with describing a setting or character interaction. Teaching them how to add detail in narrative writing sets the stage for teaching elaboration when it comes to argumentative and informational writing in our upcoming units.